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- Originaltitel : The Day After Tomorrow
- Film titel i ditt land : The Day After Tomorrow
- År av film : 2004
- Genrer av film : Action, Äventyr, Science Fiction, Thriller,
- Status för film : Released
- Släppdatum för film : 2004-05-26
- Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder film : United States of America,
- Språk film : English, 日本語, Français, العربية, Español,
- Varaktighet film : 124 Min
- Genomsnittlig röst av film : 6.2
- Youtube ID för filmen : Ze8Gshk53Y8
- Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Maska av film :Russell Yuen (Hideki, Nassim Sharara (Saudi Delegate), Vitali Makarov (Yuri, Kenneth Welsh (Vice President Becker), Michel 'Gish' Abou-Samah (Saudi Translator), Richard Zeman (Flight Director), John Maclaren (Veteran Scientist), Glenn Plummer (Luther), Tamlyn Tomita (Janet Tokada), Dash Mihok (Jason Evans), Christian Tessier (Aaron), Russian Astronaut), Ian Holm (Terry Rapson), Carl Alacchi (Venezuelan Delegate), Austin Nichols (J.D.), Jay O. Sanders (Frank Harris), Adrian Lester (Simon), Perry King (President Blake), Emmy Rossum (Laura Chapman), Japanese Astronaut), Jake Gyllenhaal (Sam Hall), Nestor Serrano (Gomez), Dennis Quaid (Jack Hall), Sasha Roiz (Parker), Sela Ward (Dr. Lucy Hall), Christopher Britton (Vorsteen), Kenneth Moskow (Bob), Arjay Smith (Brian Parks), Mimi Kuzyk (Secretary of State)
0319262
The Day After Tomorrow den korrekta film tillverkats av Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, med användning av beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst örat spräng ljudkvalitet och finaste starring aktörer.
Du är för närvarande titta : The Day After Tomorrow från Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, i hd-format i vilken borde Tillstånd belägen inom land. har din favoriter omedelbart film, över tryck av en strömbrytare! med hjälp av en obegränsad övergripande bandbredd och innehåll för att strömma, titta vad du vill, när du vill!
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Set Decoration : Paul Hotte, Post Production Supervisor : Jeffrey Harlacker, Rigging Gaffer : Frank Dorowsky, Key Makeup Artist : Kathryn Casault, Production Accountant : Manon Lapointe, Supervising Sound Editor : Mark P. Stoeckinger, Visual Effects Supervisor : Richard Britton, Second Unit Cinematographer : Anna Foerster, Scenic Artist : Donald Beaulieu, Visual Effects Art Director : Alexander Laurant, CG Supervisor : Hans Uhlig, Construction Coordinator : Rejean Brochu, Lighting Artist : David B. Menkes, Set Decoration : Victor J. Zolfo, Gaffer : Logan Leabo, Lighting Technician : Stéphane Byl, Roto Supervisor : Stephanie Taubert, Visual Effects Editor : Michael Cavanaugh, Digital Compositors : Sean Apple, Digital Producer : Andra Bard, Executive Producer : Ute Emmerich, Art Direction : Réal Proulx, Original Music Composer : Harald Kloser, Special Effects Supervisor : Louis Craig, Costume Coordinator : Lyse Pomerleau, Loader : Amelie Duceppe, Visual Effects Supervisor : Chris Watts, Sequence Leads : Jason Iversen, Visual Effects Producer : Todd Isroelit, Camera Operator : Peter Hutchison, First Assistant Sound Editor : Victor Ray Ennis, Makeup Artist : Elisabeth Fry, Set Designer : Frédéric Amblard, Location Manager : Kenneth E. Fix, Rigging Grip : Richard Complaisance, Transportation Captain : John Bober, Camera Operator : Georgia Packard, Key Grip : Marc Andrus, Costume Supervisor : Robert Q. Mathews, Hairstylist : Kathryn Powell, Executive Visual Effects Producer : Marc Sadeghi, Production Design : Barry Chusid, Construction Coordinator : Michel Brochu, First Assistant Camera : Michel Bernier, Visual Effects Editor : Nicolas Anastassiou, Set Medic : Jean Marchand, Art Department Assistant : Una Martin, Transportation Coordinator : Javier Gunther, Color Timer : Michael Eaves, CG Supervisor : Dagan Potter, Dolly Grip : Alain Masse, Dialogue Editor : Daniel S. Irwin, Makeup Effects : George Tucci, Supervising Art Director : Claude Paré, Systems Administrators & Support : Joe Ardent, Visual Effects Supervisor : Remo Balcells, Set Designer : Caroline Alder, 3D Supervisor : Rina Strause, Editor : David Brenner, Propmaker : Patrice Jacques, Finance : Linda Strause, Casting Assistant : Bryan Riley, Key Costumer : Valerie T. O'Brien, Still Photographer : Kerry Hayes, Sound Designer : Ann Scibelli, Painter : Gloria Ciraolo, Visual Effects Supervisor : Greg Anderson, Makeup Effects : C.J. Goldman, Transportation Co-Captain : Spiro Tsovras, Assistant Property Master : Eric Bardin, ADR & Dubbing : Derek Casari, CG Supervisor : David Prescott, Dialogue Editor : James Matheny, Foley : Glenn T. Morgan, CG Supervisor : Andrew Waisler, Production Manager : Daniel Auclair, Sound Effects Editor : Michael Kamper, Construction Coordinator : Alain Brochu, Casting : Randi Wells, Set Production Assistant : Mariana Acuña Acosta, Visual Effects Supervisor : Jerry Spivack, Key Hair Stylist : Janis Clark, Camera Technician : Steven J. Winslow, Sound Mixer : David O. Daniel, Art Direction : Gerald Sullivan, Set Costumer : Arlynn Abseck, Local Casting : Cate Praggastis, Set Designer : Steve Cooper, Digital Effects Supervisor : Bryan Grill, 24 Frame Playback : Marie-Pierre Tétreault, Sound Designer : Harry Cohen, Sound Recordist : Tim Gomillion, Set Designer : Karl J. Martin, Techno Crane Operator : Richard Boucher, Original Music Composer : Thomas Wanker, Set Designer : Vincent Gingras-Liberali, Unit Production Manager : Joe Dishner, Script Supervisor : Kim Berner, First Assistant Editor : Quincy Z. Gunderson, Sound Re-Recording Mixer : Doug Hemphill, Visual Effects : Kristen Branan, Executive In Charge Of Production : Vanessa R. Jordan, Still Photographer : Takashi Seida, Leadman : David M. Milstien, Stunt Coordinator : Charlie Brewer, Executive Producer : Kelly Van Horn, Property Master : Denis Hamel, Director : Roland Emmerich, Camera Operator : Francois Archambault, Music Editor : Bob Beher, Pre-Visualization Supervisor : Daniel Fort, Casting Associate : Scott David, Supervising Sound Editor : Larry Kemp, Craft Service : Chris Winn, Visual Effects Supervisor : Conny Fauser, Sound Recordist : Dennis Rogers, Location Manager : Céline Daignault, Makeup Effects : Sylvania Yau, Visual Effects Supervisor : Greg Strause, Visual Effects Producer : Casey Conroy, Visual Effects Supervisor : Ian Hunter, Director of Photography : Ueli Steiger, Hairstylist : Réjean Forget, Visual Effects Producer : Petra Holtorf, Producer : Roland Emmerich, Digital Intermediate : Lorene Simpson, Creature Technical Director : Vijay Myneni, ADR Editor : Kerry Dean Williams, Special Effects : Neil Corbould, Sculptor : Lucie Fournier, Orchestrator : Frank Bennett, Grip : Joost Clerinx, First Assistant Director : Kim H. Winther, Hairstylist : Sandy DeBlasio, Utility Stunts : Nick Brandon, First Assistant Editor : Robert Berman, Visual Effects Producer : Raoul Bolognini, Electrician : Paul Postal, Casting : Andrea Kenyon, Visual Effects Supervisor : Colin Strause, Musician : Maria Newman, 3D Artist : Zack Judson, Art Direction : Michele Laliberte, Sound Engineer : John Bires, Pilot : Al Cerullo, Executive Producer : Stephanie Germain, Driver : Chris Haynes, Visual Effects : Diane Macke, Author : Roland Emmerich, Costume Design : Renée April, Author : Jeffrey Nachmanoff, Visual Effects Coordinator : Erica Headley, Camera Operator : Alfonso Maiorana, Camera Operator : Gary L. Camp, Matchmove Supervisor : Alia Agha, Co-Producer : Thomas M. Hammel, Transportation Coordinator : Daniel Matthews, Boom Operator : Timothy P. Salmon, Steadicam Operator : Gary L. Camp, Unit Publicist : Joe Everett, Lighting Supervisor : Chris Wells, Makeup Effects : Adrien Morot, Post Production Assistant : Jeff Schweikart, Property Master : Claire Alary, Steadicam Operator : Francois Archambault, Video Assist Operator : Julie Garceau, Second Unit Cinematographer : Tom Yatsko, Art Department Coordinator : Nancy A. King, Helicopter Camera : Steve Hertler, Rigging Gaffer : Gilles Fortier, Sound Recordist : Jon S. Trebilcock, Set Designer : Alex Touikan, Chief Lighting Technician : Jean Courteau, Second Assistant Director : Erik Ajduk, Casting : April Webster, Makeup Artist : Sharon Ilson, Stunt Coordinator : Branko Racki, Visual Effects Producer : Michael Meagher, Camera Operator : Eric Goethals, Set Dresser : Louis Dandonneau, Construction Coordinator : Bruce Di Valerio, Location Manager : Lily Flaschner, Visual Effects Producer : Mike Chambers, Music Editor : Emanuele Arnone, Set Decoration Buyer : Stacy Weddington, Negative Cutter : Gary Burritt, Conductor : Blake Neely, Art Direction : Tom Reta, Production Coordinator : Danielle Boucher, Unit Manager : Paul Boutin, Stand In : Martin Brisebois, Stunts : Marcello Bezina, Technical Supervisor : Irfan Celik, Sound Designer : Randy Kelley, Modeling : Yoshiya Yamada, Camera Operator : Bill O'Drobinak, Visual Effects Supervisor : Rocco Passionino, Software Engineer : Chamberlain Fong, Producer : Mark Gordon, Associate Producer : Lawrence Inglee, Construction Foreman : Eric Lafrance, Best Boy Electric : Edison Jackson, Sound Recordist : Chris Walmer, Costume Supervisor : Kenn Smiley, Camera Loader : Charlie Newberry, Production Sound Mixer : Douglas J. Schulman, Carpenter : Jane Kilkenny, CG Supervisor : Sean Andrew Faden, Storyboard : Timothy Burgard, Sculptor : Andrew Semple, Animation Supervisor : Danny Gordon Taylor, Line Producer : Tavin Marin Titus, Assistant Art Director : Camille Parent, Utility Sound : Schavaria Reeves, Visual Effects : Michael Leung, Script Supervisor : Sophie Boyer, Associate Producer : Kim H. Winther, Sound Designer : Alan Rankin, Third Assistant Director : Paul Drouin, I/O Supervisor : Ryan Beadle, Set Designer : Stephanie Gilliam, Art Direction : Martin Gendron, Assistant Production Coordinator : Guylaine Boucher, Production Illustrator : Michael Meier, 3D Animator : Jeremy F. Butler, Visual Effects Supervisor : Karen E. Goulekas, Set Designer : Hugo Santiago, Visual Effects Producer : Jody Echegaray
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The Day After Tomorrow (2004) Spela Strömmande
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